In a time inundated with vampire-mania—Twilight, True Blood, The Vampire Diaries—one Swedish film from 2008 offers a new and innovative approach to the genre.
Let the Right One In (Låt den rätte komma in) was directed by Tomas Alfredson and was based on the novel by John Ajvide Lindqvist. It tells the story of a 12-year-old boy named Oskar who is relentlessly bullied by his classmates and who dreams of revenge. At the same time, the small suburban town in which he lives is being terrorized by a series of savage murders—the reason for which will be explained at length in the film. Things start to turn around for Oskar when a pale young girl named Eli moves in next door to him.
Eli initially tells Oskar that they can’t be friends—the reason for which stays a mystery to Oskar for some time, but it’s because Eli is actually a vampire. Accordingly, parts of the film with become quite grizzly, but the tender relationship between the young boy and vampire gives the film much of its depth. Through Eli’s guidance, Oskar begins to have more courage, and he even fights back against his tormentors at the school. The lonesome situation of each of the main characters bonds them together and offers an entirely new take on the vampire genre.
To parallel the loneliness the main characters experience, the film employs excellent cinematography and a mysterious soundtrack. The bright, white, snow-covered landscapes offer many opportunities for beautiful scenes, and the high contrast between the red blood and the white snow creates striking images.
Although the film is ostensibly a horror film, it chooses to approach the genre in a more meaningful way. There are of course many legitimately scary and gory scenes, but the underlying story of innocence versus corruption and fear versus understanding force the viewer to gain much more. It’s easy to become enthralled in the story as the unlikely pair “goes steady,” and the lengths to which they will go for each other are explored.
Just like the trend of vampire movies underway, there is also another, much more harmful trend out there. That is the incessant remaking of wonderful films as opposed to coming up with new ideas. And in this unfortunate trend, Let the Right One In is slated for an American remake called Let Me In, which is currently set for a 2010 release. The whole package of the original was critically acclaimed and quite remarkable, and I’m not alone in my skepticism about this remake.
Don’t let the subtitles dissuade you from checking out the original version of Let the Right One In. The film is so much about its imagery and actually contains little dialogue. The visual elements, which are so striking, just as easily deliver the meaning of the film as words would; in fact, with the absence of dialogue in many critical parts of the film, the viewer is left to ponder the images and an even more powerful understanding emerges.
Check out Let the Right One In on Instant Watch; then log onto tnhonline.com to let me know what you thought.
[I Screened it on Netflix]: “Let the Right One In”
Tags: cinematography, striking images, swedish film, innocence, murders

March 17, 2010
Song: You Are My King (with intro “Jesus Loves Me”)Music by: Billy James Foote
The pig-tailed snub-nosed monkey weighs about 7 kg (15 lb). It lives in primary forest, where it is primarily arboreal, only descending to the ground when disturbed. Its diet consists mostly of leaves and some fruit and berries. Most observed social groups are small (3-8 monkeys). These may be harem groups with more than 1 adult female or a monogamous group consisting of an adult pair and its young. Groups containing about 20 individuals have been observed in primary forest. Home ranges of 3.5 – 20 hectares (8.8 – 50 acres) have been observed. (Davies &
which would be better: going to ecsu under the honors program, or going to uconn but not entering the honors program?which would look bettr for jobs?
